Like most of the cinematographies in the world, Georgian cinema witnessed, in the mid-20th century, the appearance of a distinguished generation of filmmakers. Some years after the great waves taught in film books, the films by filmmakers from the region started being part of the programs of the most important festivals. One of those was the first feature by Rekhviashvili, one ...
列赫维阿什维利最好的部分还是摄影,这部片子剧情也算比较稀薄了,而且这么早就有环保主题也挺意外的。不如他后来的[返乡之路](虽然这部也是个返乡故事)。
黑色叢林里無所不容,概眾自有歸處。
标题好大,摄影还是不错的
[230]“19世紀”之中有著諸多不屬於該時代的細節。“編年史”多少有點過了。電影前半段處於spotless realism狀態,後半段的發展,高潮和結局卻令人不知所措。這部安靜的老片還是非常值得一看的。
镜头在自然中的运动及构成的情绪氛围,有点老塔的感觉,森林犹如《潜行者》里的“禁区”,人们来来去去追踪或藏匿,不知精神上之身在何处
Copyright © 2008-2020 网站地图